That’s the point; Star Wars is about Luke coming to grips with his (magical, destined, prophetic) heritage. Star Trek is about exploring a (fictional) universe. Picard isn’t coming to grips with anything. He’s doing his job. The audience doesn’t need to know how The Force works to be invested in Luke’s journey. The movie didn’t spend five pages of dialogue trying to pin down the BTU output of a Lightsaber. The precise energy signatures of the warp drive engineering bay is probably an integral component to whatever it is that appeals to people that like Star Trek. Probably.
Try setting Star Trek in the nineteenth century, perhaps during the U.S.’s Manifest Destiny inspired westward expansion. What, are they going to “prime directive” the native Shoshone peoples? Are we going to get fifteen minutes of discussion about what type of wood the wagon tongue is made from, and how much torque it can withstand because it is maple instead of oak? It just doesn’t work. Actually, strike that, it kind of sounds awesome. Oh wait, that happened, and it was called SeaQuest and it was terrible. Because, “They live under the sea, it’s Star Trek under the sea” was the whole premise. But it didn’t have the fictional Star Trek universe. That’s what people cared about! Tricorders and the Federation and what have you. Name a character from SeaQuest. Or an antagonist. Or some sort of characteristic of the world. Besides “the ocean.” Without Wikipedia. Maybe you know the name of the ship. I didn’t, but I just looked it up, and it’s “SeaQuest.” Seriously. That’s pretty lame. Check please.
But Star Wars? That story is about a lowly farm boy who finds out that his father is not only a high-ranking lord in the local political landscape, but that he has inherited both the legacy of magical powers and the prophetic destiny of dismantling the existing system. Also known as every fantasy story ever. It is set in space. That’s the twist! Robots and wookies instead of horses and elves. And it is glorious.
So, I’m pretty firmly entrenched in the fantasy side of things. Which is no good, at least from the perspective of trying to sell me personally on L. Ron Hubbard as an author.
Authority brings the periphery into view, and you quickly find it better remained in the imagination.
Read MoreTwo households, both alike in dignity, except this time fair Verona is the entire space-time continuum. Because they’re not just rival agents and star-crossed lovers, but interdimensional beings butterfly-effecting the timestream, unstitching each other’s work while needling their own intricate patterns.
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