Later, no, I would see that it was the Flatbush of New York City: a number of stories in Certain American States are set in the New York that I know and love, the New York of middling affluence, of hope and transition and internal errors, cosmetic scars that cannot dig deeply enough for permanent damage. Stories of relative hardships, of ennui unmoored from deadly consequences of aimlessness. No threat of survival within these certain American states, only danger to potential, to the lack of the stunning success that was promised, a failure to reach the "better off than your parents' generation" fealty to which we were sworn.
Read MoreThe ubiquity of multi-point-of-view narration that has overtaken modern fiction fits smoothly into The Golem and the Jinni. Both characters address the same concerns—apartments, jobs, friends, society—in very different ways. The swaps of narrative perspective at the chapter breaks do what they should in a great book; the reader wants to continue with the Golem at the start of a Jinn chapter, yet at the start of a Golem chapter the recently ended Jinn chapter lingers in the mind. As the two characters’ lives become intertwined, the perspective swaps increase in both speed in frequency, sometimes occurring multiples times within the same chapter. This structural choice emphasizes their relationship in a way that rigid “one chapter, one perspective” would not, and heightens the ties that bind them together in the mind of the reader. Their separate and unique stories have fused together in a very real, physical way.
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